Jannu first movie of youngster to have grand release

With Katari Veera Sura Sundarangi and Anna Bond doing quite well in the box office another film for the beginning of June is ‘Jaanu’ from seasoned producers Jayanna and Bogendra who are distributors by profession.

Jaayanna Combines previously made ‘Johny Mere Naam….Preethi Mere Kam’ in Preetham Gubbi direction and it is now with another love story backdrop film. Yash the promising hero today is in action scenes and one of the portions he shot for the film was a dangerous one. That is very special on screen for the audience says Yash. The lovely lass with hit after hit Deepa Sannidhi is female counterpart. Currently Deepa Sannidhi is following the success chart of Ramya and Radhika Pandit.

Yash belongs to Mysore region in the film and Deepa Sannidhi speaks the Hubli-Dharwad accent of Kannada. Preetham Gubbi has written the story, screenplay and dialogues for the film.

Already two songs of ‘Jaanuare richly popular in the market says the report. Kanmuchro Kan muchchri….and En Samachara...become talk of the town. Neenu Nanna Saviganasu of Jayanth Kaikini is lapped up by the melody lovers.

S Krishna state award winning cameraman is the man behind capturing the beauty for the film. Rangayana Raghu, Shobaraj, Madhu, Sadhu Kokila, Sangeetha, Layendra also in the

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ಗುಂಡು ಹಾಕಿ ತುಂಡು ಬಟ್ಟೆಯಲ್ಲಿ ತೂರಾಡಿದ ದೀಪಾ!

ಹೌದಂತೆ, ದೀಪಾ ಸನ್ನಿಧಿ ಇತ್ತೀಚೆಗಷ್ಟೇ ಸಿಕ್ಕಾಪಟ್ಟೆ ಗುಂಡು ಹಾಕಿ ಮಾದಕ ಅವತಾರದಲ್ಲಿ ಸಿಕ್ಕಾಪಟ್ಟೆ ತೂರಾಡಿದ್ದಾರಂತೆ. ಹೆಣ್ಣು ಗುಂಡು ಹಾಕಿದರೆ ಮುಗಿ ಬೀಳುವ ಗಂಡುಗಳಿಗೇನು ಕೊರತೆ? ಅದರಂತೆ ಒಂದಷ್ಟು ರಸಿಕ ರಾಜರೂ ಸುತ್ತ ನೆರೆದಿದ್ದರಂತೆ. ಆದರೂ ಕ್ಯಾರೇ ಅನ್ನದ ದೀಪಾ, ಸಿಗರೇಟು ಸೇದೋದೇನು! ಬಾಟಲಿ ಉರುಳಿಸೋದೇನು!

ಗೊತ್ತಾಯ್ತಲ್ವೇ? ಇದು ಸಿನಿಮಾ ಕಥೆ. 'ಜಾನು' ಚಿತ್ರದ ನಾಯಕಿಯಾಗಿರುವ ದೀಪಾ ಸನ್ನಿಧಿ ಇಂತದ್ದೊಂದು ಹಾಡಿನಲ್ಲಿ ಸಿಕ್ಕಾಪಟ್ಟೆ ಹಾಟ್ ಹಾಟ್ ಆಗಿ ಕಾಣಿಸಿಕೊಂಡಿದ್ದಾರಂತೆ. ಪಡ್ಡೆ ಹುಡುಗರ ಭಕ್ತಿಗೀತೆಯಾಗಲೇ ಬೇಕು ಎಂದು ಪಣ ತೊಟ್ಟಂತಿರುವ ಈ ಹಾಡು 'ನಂಜುಂಡಿ ಕಲ್ಯಾಣ'ದಲ್ಲಿ ಮಾಲಾಶ್ರೀ ಕುಣಿದ 'ಒಳಗೆ ಸೇರಿದರೆ ಗುಂಡು'ನಂತೆಯೇ ಇದೆಯಂತೆ.

ಪ್ರೀತಮ್ ಗುಬ್ಬಿ ನಿರ್ದೇಶನದ 'ಜಾನು' ಚಿತ್ರದಲ್ಲಿ ದೀಪಾ ಸನ್ನಿಧಿಗೆ ಯಶ್ ನಾಯಕ. ವಿ. ಹರಿಕೃಷ್ಣ ಸಂಗೀತದ 'ಸ್ವಲ್ಪ ಕೂತ್ಕೊಂಡು, ತಬ್ಕೊಂಡು ಮಾತಾಡೋಣ..' ಎಂಬ ಸಾಹಿತ್ಯದ ಹಾಡಿಗೇ ಈಗ ದೀಪಾ ಸನ್ನಿಧಿ ಹೀಗೆಲ್ಲ ಕುಣಿದಿರೋದು.

ದೀಪಾ ಸನ್ನಿಧಿ ಅಂತಹ ಬೋಲ್ಡ್ ನಟಿಯಲ್ಲ. ಆದರೂ ಈ ಹಾಡಲ್ಲಿ ಎಲ್ಲರೂ ಬೆಚ್ಚಿ ಬೀಳಿಸುವಂತಹ ಅವತಾರದಲ್ಲಿದ್ದಾರೆ. ಒಂದು ಕೈಯಲ್ಲಿ ಹುಕ್ಕಾ, ಇನ್ನೊಂದು ಕೈಯಲ್ಲಿ ಬಾಟಲಿ, ಕೆದರಿರೋ ಕೂದಲು, ಅಸ್ತವ್ಯಸ್ತವಾಗಿರೋ ಬಟ್ಟೆಗಳು -- ಛೇ ಛೇ.. ಒಂದೇ.. ಎರಡೇ.. ಯಾವ ಐಟಂ ಹಾಡಿಗೂ ಕಡಿಮೆಯಿಲ್ಲದ ಡ್ಯಾನ್ಸು. ಇಂತಹ ಹಾಡನ್ನು ದೀಪಾ ಮಾಡಿದ್ದಾದರೂ ಹೇಗೆ?

ಖಂಡಿತಾ ಇದು ಸವಾಲಾಗಿತ್ತು ಎನ್ನುತ್ತಾರೆ ದೀಪಾ. ಇಲ್ಲಿ ನನ್ನದು ಹುಬ್ಬಳ್ಳಿ ಹುಡುಗಿ ಪಾತ್ರ. ನನಗೆ ಮೊದಲೇ ಹಾಡುಗಳೆಂದರೆ ಅಷ್ಟೊಂದು ಇಷ್ಟವಿಲ್ಲ. ಅದರಲ್ಲೂ ಕುಡಿದು ನರ್ತಿಸಬೇಕಾದ ಹಾಡೆಂದರೆ ತುಂಬಾ ಶ್ರಮ ಬೇಕಿತ್ತು. ಹಾಗಾಗಿ ಒಂದಷ್ಟು ಸಿನಿಮಾಲ್ಲಿರುವ ಇಂತಹ ಹಾಡುಗಳನ್ನು ನೋಡಿ, ಈ ಬಗ್ಗೆ ನನ್ನದೇ ಆದ ಒಂದು ಕಲ್ಪನೆಯನ್ನು ಮಾಡಿಕೊಂಡು ಪ್ರಯೋಗಕ್ಕಿಳಿದೆ. ತುಂಬಾ ಕಷ್ಟಪಟ್ಟಿದ್ದೇನೆ ಎಂದು ವಿವರಿಸಿದರು.

ಹುಬ್ಬಳ್ಳಿ ಹುಡುಗಿಯೆಂದ ಮೇಲೆ ಅಲ್ಲಿನ ಭಾಷೆಯ ಹಿಡಿತ ಬೇಕು ತಾನೇ? ಅದಕ್ಕಾಗಿ ನಿರ್ದೇಶಕ ಪ್ರೀತಂ ಗುಬ್ಬಿ, ಡೈಲಾಗುಗಳ ಸಿಡಿಯನ್ನೇ ಕೊಟ್ಟಿದ್ದಾರಂತೆ. ಅಲ್ಲಿ ಡೈಲಾಗುಗಳನ್ನು ಬೇರೆ ಯಾರೋ ಹುಬ್ಬಳ್ಳಿ ಭಾಷೆಯಲ್ಲೇ ಹೇಳಿರುತ್ತಾರೆ. ಅದಕ್ಕೆ ಸರಿಯೆನಿಸುವಂತೆ ಅಭ್ಯಾಸ ಮಾಡಬೇಕು.

ಇಷ್ಟಾದ ಮೇಲೆ ದೀಪಾ ಹೇಳುವ ಇನ್ನೊಂದು ಮಾತು, ತಾನೀಗ ಬಾಟಲಿ ಹಿಡಿದು ಕುಣಿದಿರುವ ಹಾಡು ಐಟಂ ಸಾಂಗ್ ಅಲ್ಲ. ಅದು ಸ್ಪೆಷಲ್ ಡ್ಯಾನ್ಸ್!

Jaanu Movie Review

STORY –

As the title indicates ‘Jaanu’ – it is immense love of one to another. In this case it is father love to daughter and daughter love to her choice the protagonist in the film.

Rukmini (Deepa Sannidhi) for a silly reason to see Mysore Dasara comes to Mysore without telling her parents in Belgaum. She comes in a season that is not meant for Dasara festival. She is exhausted with her money. She comes to the hotel owned by Siddarth and Ramaiah (Yash and Rangayana Raghu). Rukmini eats worth Rs.800 worth food and says she does not have money. Siddarth is baffled when Rukmini ask him to give a place to stay for the night. Ramaiah is soft towards this Rukmini. Next day Ramaih asks Siddarth to take Rukmini to Belgaum and leave her to her house. By compulsion Siddarth agrees to take Rukmini. In the long journey from Mysore to Belgaum they get to know each other.

When Siddarth brings Rukmini to Belgaum the waiting father of Rukimini Rudregowda (Shobaraj) and his men pounce on Siddarth. Without inquiring they beat up Siddarth and take away Rukmini but soon Rudre Gowda repents and brings Siddarth to his house for hospitality.

When Siddarth comes to stay here in the big house of Rudre Gowda the beautiful Rukmini express her love to Siddarth. Soon Siddarth and Rukimini are in shock when Rudre Gowda announces that a boy is waiting for her daughter marriage. In the meantime a relative in the house is also aiming to get married to Rukmini. It is a triangular fight for love.

When Rukmini decide to elope with Siddarth from her house it is a different check the director of ‘Jaanu’ gives. In the early morning Siddarth drops Rukmini to her house. He says to Ramaiah who is there with him that father love is more than his love for Rukmini. It is engagement for Rukimini with another boy. What happens when Rudre Gowda finds a bag of Rukmini that was in the jeep? That is the climax lead. Everything is good at the end.

ANALYSIS –

Director Preetham Gubbi has followed the old standard set by his colleagues in this type of family drama. The hero bringing heroine to the house and leaving her is seen in many films already. The pattern of narration is so poor in the first half. It is a big yawn time especially when the journey begins from Mysore to Belgaum.

The situation of audiences is almost like the song that comes in the film – Kanmuchro Kanmuchchi….(close your eyes). Tired of routine things and yawning in between when the songs comes Kanmuchro Kanmuchchi….many would have done that in the theatres and gone for a nap.

In the love story making a different screenplay is the only call of the day. The brilliant part and surprising part is when the bag of heroine that was kept in the jeep on the day of eloping found by father character.

There are several scenes in the film found similarly in other films. Preetham Gubbi is successful to the extent of 25 percent in this film. He has no control over editing it seems. After a chilling rain soaked fight suddenly the song En Samachara….appears on the screen. This leaves a strong opinion that songs and fights would make a film. Not giving any gap in between showing action and a song speaks very poorly of a director and an editor of the film.

There are two powerful scenes in the film. When Deepa Sannidhi tells her heart is to Yash it is a well conceived one. Like that when Yash tells Rangayana Raghu that the love of father is so high towards daughter I am ready to sacrifice my love.

The feel good factor of Yash throughout the film is another appreciable factor. The film needed a few surprises in the first half of the film to hold the attention of the audiences.

PERFORMANCES –

It is a well stitched role of Yash. He is good in action portions and two songs are lovely for him. There is no fault from his side to the film. The lucky heroine Deepa Sannidhi at places looks very beautiful and sexy. The Belgaum style of Kannada dubbed for her role enhances the role played by Deepa Sannidhi. She is a heroine to watch. How come she has come a little fat – there is an indication in the film when she eats Rs.800 worth food in the hotel!

Rangayana Raghu has nothing special. Shobaraj is very good as Rudre Gowda and caring father.

TECHNICALITIES –

Cameraman S Krishna has given the wide and close angle shots with great degree of skill. He has been proving his mettle from the days of ‘Mungaru Male’. The choreography of two songs is good. Music director V Harikrishna has given two peppy songs for front benchers and two melodious tunes for others.

The song Kaddhu Muchchi….sung by Anuradha Bhat is on top. Equally on top is the song sung by Sonu Nigam in Neenu Nanna Saviganasu…. Both the songs are penned by Jayanth Kaikini.

Ravi Verma action composition is on top. But proving the guts of the hero in one of the scenes was important as he takes on dozen people every time.

Last but not the Least - Obsession of father Love and life partner leads to a good family life!

NOT WITH FULL LIFE – SCORE – 2.5/5

Cast – Yash, Deepa Sannidhi, Shobaraj, Sangeetha, Rangayana Raghu, Sadhu Kokila, Layendra, Madhu, Veena Bhat and others.
Music – V Harikrishna
Cinematography – S Krishna
Producers – Jayanna and Bogendra
Story, Screenplay, Direction – Preetham Gubbi

Source:supergoodmovies.com

Janoo Review

janoo heroine deepa sannidhi, hero yash
Yash and Deepa Sannidhi starrer Janoo directed by Preetham Gubbi and produced by Jayanna is an action entertainer with soothing music and good song picturisations. Rocking star Yash who was good in dancing sequences all these days showcases his talents in actions. Ravi Varma is too good in action composing sequences while in the other technical departments S.Krishna and Hari Krishna excel in their departments.
Director Preetham Gubbi has taken care to make the film an entertaining one with all the commercial ingredients in right proportions. But he has lost control over maintaining the pace of the film in many places. The film’s narration oscillates between interesting to dragging in many sequences. A little bit of editing could have been appropriate in many sequences. The first half looks entertaining, but the story does not move as the expectations. In the second half the focus is mainly on whether the hero and heroine come out of the problems and realise their ambitions.
The songs are picturised well. Kaddu Muchchi and Neene Nanna Saviganasu are melodious songs written by Jayanth Kaikini. Shivne Shambulinga, Kanumchro Kanmuchchi written by Yogaraj Bhat bear the lyric writer’s style, but their picturisation could have been better.
The major plus point of the film is the way Yash has shown that he can be very good in action sequences. Next is Deepa Sannidhi who looks glamorous and she makes a good impact through her performance.
The weak point is the inconsistency of the script which could have been corrected on the writing table itself. Janoo is an entertainer with some negative points like inconsistent narration. You can watch it for Yash and Deepa along with Krishna’s cinematography and Hari Krishna.
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